What This Chapter Is About
Revelation 9 describes the fifth and sixth trumpet judgments — the first two 'woes.' The fifth trumpet (vv. 1-12): a star fallen from heaven opens the shaft of the abyss, releasing smoke that darkens the sun and air, and from the smoke emerge locust-like creatures with scorpion power. They are commanded not to harm vegetation but only those who do not have God's seal on their foreheads. They torment people for five months but do not kill them; people will seek death but not find it. The locusts are described in terrifying composite imagery — faces like human faces, hair like women's hair, teeth like lions' teeth, breastplates of iron, wings like chariots rushing to battle. Their king is the angel of the abyss, named Abaddon in Hebrew and Apollyon in Greek. The sixth trumpet (vv. 13-21): a voice from the golden altar commands the release of four angels bound at the great river Euphrates, prepared for a specific hour, day, month, and year, to kill a third of humanity. A cavalry of 200 million with horses bearing lion heads and serpent tails kills through fire, smoke, and sulfur. Yet the rest of humanity does not repent of their idolatry, murders, sorcery, sexual immorality, or theft.
What Makes This Chapter Remarkable
The locust vision draws on Joel 1-2 (the locust plague as the Day of the LORD), but transforms natural locusts into supernatural beings of torment. The composite description — combining human, animal, and military features — is characteristic of apocalyptic symbolism and should be rendered as written, not decoded into specific modern equivalents. The Euphrates River was the eastern boundary of the Roman Empire and the traditional invasion route from Parthia, Rome's great rival — the sixth trumpet evokes the terror of invasion from beyond civilization's borders. The chapter's climax is theological: despite all these judgments, the survivors do not repent (vv. 20-21). The purpose of judgment is to provoke repentance, but the human heart resists.
Translation Friction
The composite imagery of the locusts defies naturalistic interpretation and should be rendered symbolically as John describes it. The number 200 million (dismyriades myriadōn, literally 'two myriads of myriads') is an enormous figure that may be symbolic of an incalculable army rather than a literal count. The names Abaddon/Apollyon are translated in the text itself; we retain both names as given.
Connections
Joel 1:2-2:11 (locust plague), Exodus 10:12-15 (Egyptian locust plague), Daniel 7 (composite beasts), Genesis 15:18, Deuteronomy 1:7 (Euphrates as boundary), Isaiah 5:26-30 (invading army from afar), Jeremiah 51:27 (armies from the north), Psalm 115:4-8, 135:15-18 (idols of gold, silver, bronze, stone, wood).