What This Chapter Is About
A grand hymn of praise that draws together threads from across the Hebrew Bible. The psalm opens and closes with Hallelujah, calls on the temple servants to praise the LORD's name, recounts His sovereignty over nature and His mighty acts in the Exodus and conquest, mocks the impotence of idols, and concludes with a cascade of blessings from Zion. It is a mosaic psalm — nearly every line echoes or quotes another biblical text.
What Makes This Chapter Remarkable
Psalm 135 is one of the most heavily allusive psalms in the Psalter. It borrows from Exodus 15 (the Song of the Sea), Deuteronomy 32 (the Song of Moses), Psalm 115 (the idol polemic), Psalm 134 (the blessing from Zion), and Jeremiah 10 (the weather theophany). This is not plagiarism but liturgical art — the psalm weaves Israel's entire theological tradition into a single hymn, creating a tapestry of received language that a worshiping community would recognize line by line. The idol section (vv. 15-18) is nearly identical to Psalm 115:4-8, reinforcing the contrast between the living God who acts in history and the dead gods who cannot move, speak, or see.
Translation Friction
The statement that God 'does whatever He pleases' (v. 6) and the celebration of military conquest (vv. 10-12) present the psalm's God as an unconstrained sovereign who acts unilaterally. The killing of Sihon and Og (vv. 10-11) is celebrated without moral qualification — this is conquest theology in its purest form. Modern readers must reckon with the fact that the psalm praises the same God for making lightning and for destroying nations, holding both in a single breath of worship. The psalm does not apologize for this; it asserts that God's sovereignty over weather and God's sovereignty over history are the same sovereignty.
Connections
Verses 15-18 closely parallel Psalm 115:4-8 (the idol polemic). Verse 7 echoes Jeremiah 10:13 and 51:16 (God's control of weather). Verses 8-12 retell the Exodus and conquest narratives from Exodus 7-12 and Numbers 21. Verse 4 echoes Deuteronomy 7:6 (Israel's election). The opening 'Hallelujah' and closing 'Hallelujah' frame it as a complete liturgical unit. The blessing from Zion in verse 21 connects directly to Psalm 134:3, making Psalm 135 a natural continuation of the Songs of Ascent.